• Enforcer - Into The Night

    24 Nov 2009, 00:59 by MinaseTaki

    El thrash está vivo de un modo u otro en el metal moderno; hay bandas de melodeath que incorporan sus influencias, como The Arcane Order, y por supuesto está la nueva onda de bandas que se aferran a la vieja escuela, como The Force, Bonded By Blood, Warbringer, etc. No obstante, ¿Qué ocurre con su antecesor, el speed metal? Casi parece haber caído en el olvido. Es por eso por lo que resulta agradable ver que algunas bandas nuevas lo mantienen vivo, como es el caso de Enforcer, cuyo álbum debut, Into The Night, salió el año pasado.

    Y si me pidiesen que describiera el sonido de este disco, diría que es muy similar al de Killing Is My Business por Megadeth, especialmente en los riffs, y con un toque de Iron Maiden en los solos, con las clásicas harmonías de guitarra. La mayoría de las canciones son de ritmo medio-rápido (PlayBlack Angel, Playinto the night), velocidad que es llevada al máximo en los temas que muestran más influencia de thrash (PlaySpeed Queen, Playscream of the savage), habiendo tambíen más lentas (Playon the loose). Incluso han compuesto una instrumental, Playcity lights, cuyos ritmos iniciales parecen salidos directamente de PlayQuest for Fire, que es posiblemente la peor canción de toda la discografía de Iron Maiden. Afortunadamente, el resto del tema es fantástico, así que no hay quejas. La voz es melódica y aguda, a menudo dando gritos salvajes y agudos que son clásicos. Más bandas deberían cantar así hoy en día.

    Las letras del álbum parecen tratar principalmente sobre sexo, lo cual no es sorprendente dada la ilustración de la portada, cuya naturaleza discutiremos más adelante. No son obsesos sexuales tampoco, pues otras canciones, como la que da nombre al álbum, tratan temas más clásicos como la muerte y el infierno, y por supuesto tenemos las letras típicas sobre el cuero y el metal (PlayEvil Attacker). ¿Qué no nos podría gustar de esa actitud?

    Pero lo que verdaderamente destaca en este álbum es el bajo. Es claro y perfectamente audible, al contrario que en la mayoría de los discos de este género, y complementa perfectamente el sonido de la guitarra.

    Fantástica lección de speed metal por parte de Enforcer. Y para acabar, admiremos la portada del disco:



    Ese logo es totalmente de principios de los ochenta. Y no olvidemos la ilustración: una triple mujer, de la cual están a la vista dos pares de pechos. Porque un par sólo no es suficiente para ellos, así de rock 'n roll es Enforcer.
  • Accepting Submissions for three New Comps: Spoken Word / Experimental Female…

    17 Nov 2009, 20:54 by SilasCiaran

    Well, seeing as how the Hallowe'en compilation came out absolutely amazingly, and I got to work with a handful of great artists, I figured it was time to start up the next ones.

    I have dozens of other ideas, but these two interest me the most as of right now.

    Spoken Word
    I have always had a small obsession with spoken word, comedy, standup, poetry (but not readings) performances, and so on.

    Therefore, I figured I might as well try this out. Since this will be the first spoken word comp, there won't be a general theme, but I would really appreciate if the material submitted was mostly all new.

    No submission deadline as of right now, but if things start dragging along and I've got a good amount of material, I will figure one out.

    Tracks can be accompanied / backed by music, and collaborations are welcome, but tracks with nothing but samples / pieces of music with samples or spoken word that obviously have nothing to really do with the words, are not welcome.

    Entries thus far: Sleepers, Agnostic Asylum

    Female Noisers / Experimentalists
    Experimental noise, dark ambient, industrial, and so on has always piqued my interest so much more than other genres, when it is made by females. This isn't a generalisation, it's the truth; males are far more likely to create experimental music than females. I've been to a lot of countries and have been involved in a lot of scenes, and it is just universal.

    I've always wanted to collect a flat out female-based compilation. It doesn't HAVE to be noise by any means, but the more 'experimental', the better. Noise, power electronics, dark ambient, power violence, anti-pop, one-woman black metal, trip hop, drone, ambient, hip-hop, and so on. Not really interested in full bands or 'metal', but if you truly stand out, you might be welcome.

    Absolutely no singer-songwriter / folk, unless it REALLY stretches the boundaries of those genres.

    For the deadline, same as above.

    Underground Hip Hop
    This is pretty much self explanatory. I want to pull together all of the extended genres threaded throughout the underground Hip Hop world of today.

    Any form of the genre is allowed, meaning all crossovers. Nothing pseudo-gangster. Nothing racist, nothing overly stupid, no 'bitches and hos'. You know what I mean.

    =================================

    These will be released on He Of The House Media as CDr or cassette, and each artist gets a copy for their archives.

    If you have submissions for either, send them as a WAV or on CD to:

    heofthehouse at yahoo dot com

    or

    He Of The House Media
    PO Box 4207
    Austin TX 78765-4207
    USA

    heofthehouse.com
    heofthehouse.com/compilation (being updated, currently)
    last.fm/group/He+Of+The+House
    myspace.com/heofthehousemedia

    and as always, check the website for amazing releases by many artists, and so on.

    So it goes. Thank you.
  • v/a We'll Leave The Lights On compilation CDr out now on He Of The House Media

    15 Nov 2009, 05:50 by SilasCiaran



    He Of The House's very first (of many) compilation. Nineteen tracks from twenty artists, the end result of which is possibly one of the most diverse compilations I've ever heard. From soft spoken acoustic folk to raving, churning dirge tunes; from a noisy, industrial cover of a Sonic Youth song to oldschool punk from when it was still raw, fast, and unforgiving. Powerviolence peppers the grounds where spooked whispers whinny along, and the caustic words of a madman festering in his own mind play out over perpetually plucked guitar strings. A true honour it is to work with these amazing artists, and I do hope we can keep them coming back for years.

    Featuring: Zombie Battle Axe, XharoldshitmanX, kro & Jason "Evil" Covelli, Nemesism, Ginny Greenteeth, Don't Move, Spiral Vertigo, chachi on acid, Mike Bruno, Autopia, Dead Kid Harvester, Jason "EVIL" Covelli, Karmakumulator, Chelsea Wolfe, RedSK vs. teh soup rebellion, Torturing Nurse, Sleepers, Flea McGruff

    Housed in handmade & handpainted paper jackets with individually original black tissue cutouts, enclosed with a button. Featuring full page insert artwork by Jason "EVIL" Covelli and a blurb about each band/artist from myself.
    Limited to 45 handnumbered copies.

    For more information, tracklisting, artwork, and information on future compilations, as well as a wealth of other fun tidbits, visit
    heofthehouse.com
    heofthehouse.com/compilation

    To order this compilation for only $8 (prices vary for out of country shipping), visit
    heofthehouse.com/recordshoppe

    Thank you
  • Arch Enemy - The Root Of All Evil

    2 Nov 2009, 09:43 by MinaseTaki

    Parece que últimamente está de moda que bandas veteranas decidan dar a sus antiguos discos el toque de la producción moderna, para de paso hacer que la gente sea consciente de la existencia de dichos álbumes. Tuvimos First Strike Still Deadly en el 2001, Let There Be Blood el año pasado, y ahora The Root Of All Evil, de Arch Enemy.

    Ah, Arch Enemy. He sido fan suyo desde que me inicié en el metal hace un par de años, y siguen siendo una de mis bandas favoritas de melodic death metal. Una banda que ha tenido que soportar el constante debate de "Liiva VS Gossow" durante años, un debate que probablemente seguirá activo hasta el día final, y que se ha intensificado aún más, si cabe, con el lanzamiento de estas regrabaciones. Algunos dicen que fueron hechas por petición de los fans, otros, que fue una simple manera de ganar algo de dinero. A mí los motivos de la banda no me preocupan en exceso; prefiero centrarme más en la música en sí.

    Y musicalmente, los primeros discos de Arch Enemy estaban más cerca del death metal tradicional que del thrash. Los solos melódicos de Amott siguen siendo perfectamente reconocibles, pero los riffs eran mucho más brutales y la música en general más intensa. Por supuesto, cabe mencionar a Liiva, su voz gruñona y grave que puede hacerse increíblemente pesada al cabo de sólo unas pocas escuchas, y compararlo con Gossow, cuyo estilo es mucho más accesible. Y a pesar de que oír las viejas canciones con Angela era el sueño húmedo de muchos fans de Arch Enemy como yo, debo decir que me encuentro prefiriendo las originales.

    Creo que la razón principal es la producción; es demasiado fina. Andy Sneap tiene la costumbre de hacer que la batería suene muy clara y precisa, y ese es realmente el problema. Es lo mismo que ocurrió con Let There Be Blood: la música era prácticamente calcada, pero el disco original tenía un sonido mucho más tosco y duro que le daba encanto; realmente no hay otra palabra para describirlo. Resulta muy extraño oír blast beats en PlayBeast Of Man con un sonido tan pulido.

    Por supuesto, los temas en sí son de primera; es lo mejor de los primeros discos. Canciónes como PlayThe Immortal, PlayBury Me an Angel y PlayBridge Of Destiny son absolutamente aplastantes y del mejor melodeath que se puede encontrar. Angela hace un buen trabajo en general, pero a veces da la sensación de que intenta adaptar su tono al de Liiva y no obtiene resultados demasiado satisfactorios. El estilo ideal de Angela siempre ha sido cantar con la voz bien aguda y desgarrada, un estilo del que hizo buen uso en Wages of Sin y especialmente en el excelente Rise Of The Tyrant. Aquí, por el contrario, parece usar más su tono grave, recordando más a Doomsday Machine. No puedo evitar pensar que habría salido mejor parada de haber cantado con su tono agudo.

    Como ya se ha dicho, instrumentalmente es casi idéntico, pero aún así la guitarra parece tener un tono ligeramente diferente. Es un poco difícil de explicar, pero basta con comparar el riff inicial de The Immortal en ambas versiones para notar la ligera diferencia.

    En general, The Root Of All evil es un buen remake. De hecho, hace exactamente lo que se supone que tiene que hacer: oferecer producción más pulida, pero lo que realmente consigue es recordarnos la existencia de los primeros discos, y animarnos a que los escuchemos y apreciemos de nuevo.
  • "Wood Between the Worlds" video

    27 Oct 2009, 18:36 by brokenkites



    Hooping video for Brokenkites by the fantastic Mona Qaddoumi for the track "Wood Between the Worlds" off of the album Seven Circles by Brokenkites, available for free download here on last.fm.

    Seven Circles
  • Slayer - World Painted Blood

    25 Oct 2009, 20:22 by MinaseTaki

    World Painted Blood. Es un título bastante sugerente para un álbum muy poco interesante.

    En los últimos dos años hemos visto a grandes bandas de thrash volver a sus raíces, con resultados bastante satisfactorios. Death Magnetic fue bueno. Endgame, excelente. The Formation of Damnation, una obra maestra. Así que ahora es el turno de Slayer, cuyo nuevo disco, World Painted Blood, se ha filtrado a internet, y puedo afirmar sin temor a equivocarme que es un fuerte candidato a peor álbum de metal del año.

    ¿Por qué? Pues porque no hay nada en este álbum que sea interesante en lo más mínimo; tiene "mediocre" escrito por todas partes. No hay ni un riff o solo que resulte memorable, la voz de Araya suena cansada y forzada, y las letras no dicen absolutamente nada nuevo.

    No puedo decir que me sienta decepcionado porque realmente no esperaba mucho. Hacía tiempo que la música de Slayer no mostraba creatividad alguna; las letras sobre violencia y crítica a la religión, los riffs genéricos y sin inspiración, nada de eso les llevaba a ninguna parte. Hay casos en que una banda hace un álbum que suena muy parecido al anterior, pero refina la fórmula y ofrece verdadera calidad. Desafortunadamente, no parece que Slayer sean capaces ya de aportar nada al thrash metal, y World Painted Blood es el mejor ejemplo que de ello pueden dar.

    Me doy cuenta de que estoy siendo muy duro con este álbum, pero yo creo que la verdad es preferible a las mentiras, y que cualquier afirmación de que World Painted Blood puede siquiera compararse a Hell Awaits o Show No Mercy está muy, muy lejos de la realidad.

    En conclusión, no hay ninguna razón por la que Slayer deban seguir haciendo música; no tienen nada más que ofrecer.
  • This is the Music They Use to Torture Rock and Rollers in Hell

    4 Oct 2009, 19:49 by speculativism

  • Ahh, what the hell, most listened to albums in the last 12 months

    22 Sep 2009, 14:01 by maplejet

    maplejet's top albums (12 months)
    1. Green Day - Insomniac (226)
    2. Lupe Fiasco - The Cool (223)
    3. The Prodigy - Invaders Must Die (217)
    4. Green Day - Dookie (210)
    5. Pearl Jam - Ten Redux (208)
    6. Green Day - 21st Century Breakdown (197)
    7. Lupe Fiasco - Food & Liquor (187)
    8. Beastie Boys - Ill Communication (186)
    9. Beastie Boys - Check Your Head (176)
    10. Muse - The Resistance (175)
    11. Eminem - The Slim Shady LP (172)
    12. Nas - Untitled (170)
    13. Kanye West - Late Registration (168)
    14. Green Day - Nimrod (166)
    15. Nas - Illmatic (141)
    16. 311 - Soundsystem (140)
    17. OutKast - Aquemini (136)
    18. Soundgarden - Superunknown (136)
    19. The Prodigy - The Fat of the Land (133)
    20. OutKast - Stankonia (133)
    21. Michael Jackson - Bad (132)
    22. Kanye West - Graduation (128)
    23. 311 - 311 (128)
    24. Green Day - 1,039/Smoothed Out Slappy Hours (127)
    25. The Prodigy - Music for the Jilted Generation (126)
    26. Queens of the Stone Age - Songs For The Deaf (124)
    27. The Prodigy - Always Outnumbered, Never Outgunned (123)
    28. Eminem - The Eminem Show (122)
    29. Rise Against - The Sufferer & The Witness (120)
    30. Depeche Mode - Music for the Masses (120)
    31. Depeche Mode - Ultra (119)
    32. Depeche Mode - Songs Of Faith And Devotion (118)
    33. Ozzy Osbourne - No More Tears (117)
    34. Jay-Z - Reasonable Doubt (114)
    35. Faith No More - Angel Dust (109)
    36. Muse - Absolution (109)
    37. Pantera - Vulgar Display of Power (108)
    38. Beastie Boys - Paul's Boutique (107)
    39. Alice in Chains - Dirt (106)
    40. Alter Bridge - Blackbird (105)
    41. Nas - Stillmatic (105)
    42. Disturbed - Ten Thousand Fists (104)
    43. Metallica - Death Magnetic (104)
    44. Alice in Chains - Facelift (104)
    45. Beastie Boys - Hello Nasty (103)
    46. Eminem - The Marshall Mathers LP (100)
    47. Alice in Chains - Alice in Chains (100)
    48. Michael Jackson - Dangerous (99)
    49. Depeche Mode - Violator (98)
    50. Disturbed - Indestructible (98)

  • Favorite albums by year from 1990 to 2009

    20 Sep 2009, 06:28 by maplejet

    Yeah, I thought I could look at the last 2 decades (where most of the music I listen to is) and see which albums were the best for each year. Now, it will change in the future as I acquire even more albums and listen to the remaining albums from 2009, but here’s what it is right now. Best album for each year + 2 honorable mentions. For each of the best albums per year, I'll give out my 3 favorite tracks from the albums.

    Some years were heavily stacked with a lot of 9/10 and 10/10 albums. Some decisions were tough to make too :(


    1990
    Depeche ModeViolator - The album that got me right into Depeche Mode and is one of the best albums of all time, especially the songs Enjoy The Silence, PlayWorld in My Eyes, and Personal Jesus.

    Honorable Mentions:
    MegadethRust in Peace
    PanteraCowboys From Hell


    1991
    Pearl JamTen - Pearl Jam's best album to date...their most classic, and the 2009 Ten Redux version made it better with some bonus tracks. The song PlayAlive has one of the best guitar solos of all time, courtesy of under-rated guitarist Mike McCready. PlayOnce sets the tone for the album, and who can’t forget PlayJeremy.

    Honorable Mentions:
    Red Hot Chili PeppersBlood Sugar Sex Magik
    Michael JacksonDangerous


    1992
    Alice in ChainsDirt - Major Alice in Chains fan, and this album helped solidify their place as my favorite band. The vocals of Layne Staley combined with the slow sludgy riffs and atmosphere makes this overall my #1 favorite grunge rock album. My favorites include the hard rocking Dam the River, the heavy power ballad PlayDown in a Hole, and the lengthy slow-moving PlayRain When I Die, a song that fades out near the end, then suddenly few seconds later after some silence, comes right back!!

    Honorable Mentions:
    Faith No MoreAngel Dust
    Rage Against the MachineRage Against the Machine


    1993
    Pearl JamVs. - Yeah, Pearl Jam continued their string of success. 1993's album while not up to Ten, saw PJ not losing their edge and keeping their hard rock up. Once again, Pearl Jam answered with another strong opener PlayGo. PlayW.M.A. is a catchy song with a cool drum rhythm, and the soft and mellow PlayIndifference gives the album a fitting end.

    Honorable Mentions:
    Depeche ModeSongs Of Faith And Devotion
    NirvanaIn Utero


    1994
    The OffspringSmash – While Ixnay on the Hombre is my favorite Offspring album (and it’s not even the best album for 1997), Smash brought The Offspring into the mainstream with their hard rock/grunge influenced style of punk rock. Many of the songs are fast hitting, and provided the soundtrack of my middle school. Come Out and Play could be considered one of the best songs of the 90s, but my personal favorite is the angry Bad Habit with one of my favorite bridges of all time. Genocide is another favorite of mine.

    Honorable Mentions:
    Green DayDookie
    SoundgardenSuperunknown
    --Another overstacked year


    1995
    Green DayInsomniac – most Green Day fans will say Dookie was their best, but nothing really beats Insomniac…a band releasing their anger at those who’ve accused them of selling out due to Dookie with darker lyrics. Most will remember the epic apocalyptic video to Walking Contradiction. A few other standout tracks include 86 (written to a club that gave GD no admittance after Dookie), and the short but sweet Stuart and the Ave.

    Honorable Mentions:
    Alice in ChainsAlice in Chains
    Foo FightersFoo Fighters


    1996
    Alice in ChainsUnplugged – Layne Staley was slowly dying, but one of his final live performances proved to be memorable. Talk about hearing your favorite AIC songs, stripped down into acoustic forms. Many of these versions IMO are better than the original, particularly No Excuses (Unplugged) and Nutshell (unplugged), but the version of Over Now (unplugged) takes the cake as the best on the album, and a fitting farewell to Layne Staley.

    Honorable Mentions:
    WeezerPinkerton
    Rage Against the MachineEvil Empire


    1997
    Foo FightersThe Colour and the Shape – the first Foo Fighter album I listened to, and it is truly THE BEST THE BEST THE BE…bad fad. Originally it was some of the radio singles including PlayEverlong (one of the best songs of all time) that got me hooked to the band. Compared to most post-grunge bands, the Foo Fighters had a style that none could match, combining up hard rock with many alternative rock and grunge elements. Along with Everlong, my other faves include PlayMy Poor Brain and PlayMy Hero (accompanied by one of my favorite videos of all time).

    Honorable Mentions:
    The OffspringIxnay on the Hombre
    The ProdigyThe Fat of the Land


    1998
    System of a DownSystem of a Down – an interesting album that would lead to the growth of a pioneer in alternative metal. Their self-titled showed tons of experimentation. In addition to the crazy/wacko PlaySugar and the dark PlaySpiders, there’s the interesting song PlayPeephole, the only song that can combine the atmosphere of a fucked up circus with the heavy alternative metal riffage.

    Honorable Mentions:
    OutKastAquemini
    Beastie BoysHello Nasty


    1999
    Nine Inch NailsThe Fragile – 2 Discs, one masterpiece. Honestly, one of my ultra favorites of all time. Trent Reznor creates an album revolving around things falling apart. Throughout the album, you can hear chord progressions of other songs on the album repeated. The album must be listened from start to scratch to understand it. Among my favorites include the chaotic march song PlayThe Wretched, the synth funk PlayInto The Void, and the instrumental which gained more of a meaning after a certain Spartanic movie, PlayJust Like You Imagined

    Honorable Mentions:
    Rage Against the MachineThe Battle of Los Angeles
    IncubusMake Yourself


    2000
    Green DayWarning – some people thought GD was losing it after their Nimrod days...well, they were WROOOONG! Warning goes down into acoustics, creating a mix of acoustic folk with the feel of punk rock. If Green Day was political on any album, it was this one. The song Misery feels like a take on a folky song. Other faves of mine include the fast-paced Castaway, and the celtic-influenced Minority. Unfortunately, this album has been overlooked by most of GD’s fanbase…I highly recommend all GD fans to take a listen to this album, easily better than their new stuff.

    Honorable Mentions:
    OutKastStankonia
    Rage Against the MachineRenegades


    2001
    System of a DownToxicity – Oh yeah…around now is when System of a Down hit their peak with ultimately one of the best albums of the decade. Toxicity, taking in some of the strangest elements of music. This album is what separates SOAD from the other “nu metal” bands like Limp Bizkit, Linkin Park, and KoRn.. Many songs follow unconventional patterns, for example, PlayAerials, the album closer, does not really have a distinct chorus (music video’s worth checking out). PlayPsycho is what happens when you’re on too much cocaine (I saw a great live performance of the song on youtube where guitarist Daron Malakian really rips out an additional guitar solo. Deer Dance is another great track with the lyrics “Pushing little children with their fully automatics, they like to push the weak around”.

    Honorable Mentions:
    MuseOrigin Of Symmetry
    IncubusMorning View


    2002
    Red Hot Chili PeppersBy the Way – This is my 3rd favorite RHCP album, behind their sexual orgies Uplift Mofo Party Plan and BSSM. Now, many thought BTW was a repeat of Californication, but there is one thing that listeners didn’t realized. The album’s more mellow, less funk, but still a great album. And many other tracks on the album utilize other elements. Some of my favorites include the heavily funk-driven Throw Away Your Television, the soft mellow the zephyr song (accompanied by a groovy music video), and the album closer, a lengthy piece called Venice Queen.

    Honorable Mentions:
    EminemThe Eminem Show
    KoЯnUntouchables


    2003
    Queens of the Stone AgeSongs For The Deaf – Imagine you’re in the middle of a desert in California…you switch through the radio stations, and take a drive through the desert into a bustling metropolis in one day…ladies and gentlemen, this is Songs for the Deaf. Easily QOTSA’s best album to date…and perhaps maybe one of the best albums this decade. With the assistance of drummer Dave Grohl and Screaming Trees vocalist Mark Lanegan, QOTSA provides a blend of hard rock, stoner rock, and garage rock. Grohl and Lanegan shows off their skills on PlayA Song for the Deaf. The 2 hit singles rock as well, especially Go With The Flow (accompanied by a great rotoscopped music video…with a hot chick…LOLOLOL). You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire features some harsh vocals coming from Josh Homme Nick Oliveri (mistake, sorry) provided by a straight out hard rocker, sending the driver on a voyage out of the desert. Honestly, I could go on about this album, and if you haven’t listed to Songs for the Deaf and enjoy a lot of hard rock/garage rock stuff, check it out.

    Honorable Mentions:
    Linkin ParkMeteora
    MuseAbsolution


    2004
    Breaking BenjaminWe Are Not Alone – These days, many consider post-grunge, the main virus that’s bringing down rock. But like any controversial genres, there are the negatives, and the positives. Breaking Benjamin is one of the pluses, and on 2nd album We Are Not Alone, Breaking Benjamin brings out a full album with themes of loss and hate. Billy Corgan provides some assistance on 2 track on the album including the simple pop ballad PlayForget It. Other standouts include PlayFirefly, and the epic opener PlaySo Cold.

    Honorable Mentions:
    The KillersHot Fuss
    Killswitch EngageThe End of Heartache


    2005
    KoЯnSee You On The Other Side – WHAT? MAPLEJET! YOU WAITED UNTIL 2005 TO PUT KORN AS THE TOP ALBUM…BUT THEY SUCKED AFTER HEAD LEFT! No…they didn’t. Korn simply evolved. The sound you hear on the album is not the nu metal sound of the 2000s. It’s a mix of alternative metal, experimental rock, industrial rock, and at times, ambient. The industrial sound comes from the work of producer Atticus Ross (best known for his work with NIN in the 2000s). The song PlayComing Undone experiments with the signature drum beat of Queen’s classic “We Will Rock You”, creating a slow sludgy melody. PlayLove Song is a pure industrial rock song and the album closer PlayTearjerker is a ambient song that slowly gets louder near the end, one of my personal KoRn favorites.

    Honorable Mentions:
    DisturbedTen Thousand Fists
    Kanye WestLate Registration


    2006
    Killswitch EngageAs Daylight Dies – I still don’t get why KSE purists claim the band dies when former lead vocalist Jesse Leech left the band. To be honest, I see As Daylight Dies as KSE’s best album to date. What separates Killswitch Engage from other metalcore bands is their emphasis on melodic structures while keeping the sound heavy. Also, guitarist Adam Dutkiewicz provides some vocals on several songs along with lead vocalist Howard Jones (an element dropped on their S/T which I was disappointed with). The song that got me into KSE, My Curse remains a classic in my library, other favorites include Break the Silence, with an great breakdown, and a bonus B-Side Let the Bridges Burn which has one of my favorite riffs right after the first chorus.

    Honorable Mentions:
    Lupe FiascoFood & Liquor
    Rise AgainstThe Sufferer & The Witness


    2007
    Lupe FiascoThe Cool – I’m still looking into hip-hop, but I think I may have found my new favorite hip-hop act. Lupe Fiasco…the only rapper that can rhyme about video games and a fictional story of a druglord and the choices he can make. Many have praised Lupe for his lyrical substance, something many believe hip-hop has been lacking as of lately (I’m speaking to you Soulja Boy). The Cool revolves around a character created by Lupe, a druglord killed by a rival, and now walks with a skeletal hand. Should he rebuild his empire, or continue to live in fear among others. One of the interesting things on the album is the people who looked at to help his album, including Fall Out Boy lead singer Patrick Stump producing the song Little Weapon, a track with military themes around a little boy. Some of my other favorites include Hello/Goodbye (Uncool), featuring UNKLE and guess who…Josh Homme. The RNB/rap number Intruder Alert is quite haunting.

    Honorable Mentions:
    Alter BridgeBlackbird
    Kanye WestGraduation


    2008
    DisturbedIndestructible – Most nu metal bands spent the decade trying to distance themselves away from the hated genre among metalers and pitchforkers who have no business attacking hard rock since they don’t listen to it anyways…anger aside, Indestructible was one my most anticipated albums in 2008, and Disturbed delivered. Dan Donegan gets out his guitar and rips out a ton of awesome guitar solos. Songs like Haunted and The Night explores dark themes. The song Indestructible launches the album…a strong unifying fight song that ranks up as one of my favorite songs of all time.

    Honorable Mentions:
    The OffspringRise And Fall, Rage And Grace
    NasUntitled


    2009
    Alice in ChainsBlack Gives Way To Blue – Originally, albums by Muse, Eminem, and Green Day were my most hyped albums for 2009…I didn’t take AIC seriously seeing as this would be their first album without Layne Staley, and their first with William Duvall. But once I heard their first 2 singles, AIC quickly jumped to the top of my list, and after the leak of Black Gives Way to Blue, I quickly hailed it as the best album of the year. AIC continues their signature sound heard on albums like Dirt, Jar of Flies, and S/T. The title track PlayBlack Gives Way To Blue (with piano played by Elton John) pays tribute to fallen Layne Staley. PlayAcid Bubble swaps between a soft ballad and a hard sludgy chorus with heavy riff by Cantrell. While most of the vocals come from Cantrell with DuVall providing backup vocals on songs, DuVall shows of his vocal skills on PlayLast Of My Kind, something most AIC fans will want to hear for future releases. It almost felt like AIC never lost their edge after the death of Layne, and hopefully they can continue to rock as the next decade approaches

    Honorable Mentions:
    The ProdigyInvaders Must Die
    Green Day21st Century Breakdown



    This list could change in the future. Also, once I get more albums from the 70s and 80s, I’ll expand the list to include releases from those decades.
  • The Great Spring Cleaning Of Mine

    14 Sep 2009, 14:55 by debetcan

    If you read my profile writing, then you know that i tidy up my room only once i year.And this cleaning happens in summer. Well , today i woke up and focus on my mission.I was kinda exitied and maybe a bit afraid of paper-monster and dust-monster which i defeated sucsesfully.Preparing to fight, i made up my war paints (this is a huge lie). And i filled my wooden pint(actually glass, coz i couldnt find a wooden one) with tasty viking beer(it was only peace juice in fact).Then the greate war against dust and paper monsters started.To make it a bit more fun , i took 'before&after' photos. Here they are :

    This is my writing table which i never use to study or something, i use it like 'a-place-to-put-any-kinda-stuff'.
    Before..................................................After..............................


    This is the shelf on the top of my writing table.I put all kinda stuff there when my writing table got full last year.
    Before..................................................After..............................


    This is the new part of my bookcase which i didnt use to put books.But this year i need it , so i had to tidy it up.
    Before..................................................After..............................


    This is the edge of my table which my younger brother actually messed up.A couple of years ago he sticked all these stickers coz he thought i would like them. The fact is i hated them so much but of course i didnt tell this to my brother not to make him upset.And cleannig these things were god damn exhousting, i had to scratch them out one by one.
    Before..................................................After..............................


    I was grouping all the things on my bed:


    And look what i found! Fish shaped gels to stick on any kinda glass which made me think of making my little mirror prettier:


    And here is the result :


    This big boys are gonna end up in the litter bin.

    Well, cleaning my room took 4 hours and ,of course, the mess was huger than you can see but photos can tell only a part of it :)