The demoscene is a computer art subculture that specializes itself on producing demos, non-interactive audio-visual presentations, which are run real-time on a computer. The main aim of a demo is to show off better programming, artistic and musical skills over other demogroups.
The demoscene first appeared during the 8-bit era on computers such as the Commodore 64 and ZX Spectrum, and came to prominence during the rise of the 16/32-bit micros (the Atari ST and the Amiga). In the early years, demos had a strong connection with software cracking. When a cracked program was started, the cracker or his team would take credit via an increasingly impressive-looking graphical introduction called a "crack intro". Later, the making of intros and standalone demos evolved into a new subculture independent of the software piracy scene. Quite a few of the young talents that spent their time "coding" demos and thus gaining in-depth experience programming computer graphics later ended up working in the games industry, whose products they had initially cracked.
The demoscene first appeared during the 8-bit era on computers such as the Commodore 64 and ZX Spectrum, and came to prominence during the rise of the 16/32-bit micros (the Atari ST and the Amiga). In the early years, demos had a strong connection with software cracking. When a cracked program was started, the cracker or his team would take credit via an increasingly impressive-looking graphical introduction called a "crack intro". Later, the making of intros and standalone demos evolved into a new subculture independent of the software piracy scene. Quite a few of the young talents that spent their time "coding" demos and thus gaining in-depth experience programming computer graphics later ended up working in the games industry, whose products they had initially cracked.
Active Discussions
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“Playing modules with amarok” (22) February 2011 |
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“demoscene music ripped by producer Timbaland” (1) July 2009 |
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“Timbaland” (3) July 2009 |
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“Timbaland” July 2007 |
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“Demos, intros, trackmos and megademos” (4) June 2007 |
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