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  • Bob Dylan’s influence on Jack White

    31 Jul 2009, 13:14 by LieveK

    I’ve been a fan of The White Stripes for some years now and about half a year ago started listening to Bob Dylan. I couldn’t help noticing that Bob Dylan, both as a musician and as a person, had a huge influence on Jack White, so I did some research (don’t expect anything too professional) and came across some interesting facts.

    First there’s the Dylan-covers. The White Stripes’ debut album (The White Stripes) contains the song One More Cup of Coffee, which was written by Dylan in 1976 and is to be found on his album Desire. Horehound, the debut album of White’s newest group The Dead Weather also features a Dylan-cover: New Pony, which was on Street Legal in 1978.
    So there are two covers to be found on Jack White-albums, but he also did some live performances of Dylan songs. There’s Outlaw Blues, which features in the Under Blackpool Lights concert (see video fragment here). Also Isis and Love Sick have been covered during live shows. You can probably find amateur recordings of these songs on YouTube, so check it out if you want to.

    In interviews with Jack White or the White Stripes Bob Dylan is often mentioned as an inspiration, both to Jack and Meg. Jack was once caught saying he had 3 fathers: his biological father, God and Bob Dylan.

    Then there’s the White Stripes album sleeves. It always struck me as strange when I read the texts Jack wrote in it. I never really understood them until I began listening to Bob Dylan. In the sleeves of Dylan’s first albums there are to be found similar “liner notes” (he dropped the habit after John Wesley Harding as far as I know). There are some differences in the style of writing though. Dylan uses more characters in his texts and writes strange surreal stories about them, while White writes down more abstract ideas, but I guess they’re both “écriture automatique” or in English “automatic writing” (check it out on Wiki if you don’t exactly know what it is). Though probably Dylan and White weren’t completely unconscious what they were writing (I once tried some of this automatic writing too, even before I was listening to Dylan or The White Stripes, and believe me, you’ll be surprised about what you read sometimes, give it a try!).

    But I think this respect is mutual. In 2007 Jack White was allowed up on stage with Bob Dylan himself in Nashville, during one of the legends “Never Ending Tour”-concerts. He got Dylan to play his first ever live performance of Meet Me in the Morning which is to be found on Dylan’s most acclaimed 70s album Blood on the Tracks. You can listen to the recording of this performance here. Two nights after that Jack White appeared as a guest on stage again and played two songs with Dylan: Outlaw Blues and One More Cup of Coffee. A video recording of this performance can be found here.

    Also in his Theme Time Radio Hour, Bob Dylan sometimes shows his respect for White. In the episodes ‘Countdown’ and ‘Doctors’ he played one of the White Stripes’ songs. This means Dylan really must like their music, seen he only plays music he likes in his radio show. Jack White even appeared as a guest in the ‘Classic Rock’ episode. Meg White was also mentioned as a female drummer in the episode ‘Musical Instruments’.

    When Dylan found the ‘lost’ Hank Williams songs he contacted a couple of artists to write music to some of the songs. Apparently they released one tribute album already in 2001 called Timeless (A Tribute To Hank Williams), but in 2007 Jack White was asked by Dylan to write music for one of Williams’ songs. I didn’t find any more information about this project, so if anyone has an update on this put it in a comment or something.

    This is it… If you have any remarks or you know more about it (which most of you probably do) feel free to leave a comment!
  • bob dylan.

    22 Aug 2009, 23:04 by anniesaunders

    watching Bob Dylan perform was like seeing 68-year-old Brigitte Bardot in a bikini.

    used to be great, is just a little pathetic and sad.





    he's still good, it's just not the same. i would be one of the people at the london 1965 tour saying that he sold out, it was a bunch of racket.
  • Dylan on Dylan

    1 Aug 2009, 19:11 by LieveK

    Dylan on Dylan is a book that features Bob Dylan’s “essential interviews” and is put together by Jonathan Cott. I bought it last April for £2 when I was visiting London. I just couldn’t leave it there for that price. And it turned out to be one of the best purchases ever. It’s a great book for people who’re just getting into Dylan or even for the more experienced Dylan-fans.

    The book contains 31 interviews with Bob Dylan from 1962 to 2004 and are ranked chronologically. Most of them date from the sixties and I have to say they’re the more entertaining ones to read because Dylan’s answers in them are so surreal. But this also means most of the “real” information is in the latter half of the interviews. Let’s put it this way: the first ones take you on a trip through Dylan’s mind in the sixties and the last ones give you a lot of information about his work and show you that the man isn’t just a good (or the best as some say) songwriter but also a very talented musician.

    Next I’ll list my 3 favourite interviews (two of them distinguish themselves by having been written in a unusual style, but more on this later):

    1. Interview with Nat Hentoff, Playboy. March 1966.
    This one is certainly the weirdest one in there. You really have to read it to get the whole picture, but to give you an impression: Dylan talks about how he got “tuberculosis”, about why his hair needs to be that long and about the things he would do if he were to be the President of the USA (one of which is a one-on-one with Mao Tse-tung). For those of you who’ve seen the movie I’m Not There by Todd Haynes: if you, while watching the movie, ever wondered “did Dylan say that for real?”, well, you’ll find a lot of the crazy stuff in this interview (like the “roses growing out of peoples’ brains”-thing).

    2. Interview with A.J. Weberman, East Village Other. January 19, 1971.
    I don’t know if this really can be called an interview. Maybe you’ve heard of A.J. Webarman before, as one of the craziest Bob Dylan-fans who started teaching Dylanology and who searched through Dylan’s garbage cans. But it certainly is great to read, for the most part because it’s written in a very nonchalant way (there’s a lot of abbreviations and &’s) . Because the content and conversations are so weird you would normally doubt most of this to ever have happened, but having read the previous interviews it shouldn’t shock you any longer. Basically Weberman tells a story about meeting Dylan one night in the streets close to his house (and on the phone if I’m not mistaken).

    3. A Short Life of Trouble by Sam Shepard, Esquire. 1987.
    I liked this interview especially because it is written like a play (in the introduction is a description of a stage and of course there’s the “SAM:” and “BOB:”-things). It’s perfectly possible you’ve heard of Sam Shepard as well because I know him to have written the Rolling Thunder-tour logbook as well and I suspect he must’ve done some more writings on Bob Dylan. I loved to read it cause it’s hard to tell what’s real and what’s not (but then of course you can say this about any Dylan interview).

    Also worth mentioning is a television press conference (a quite famous one) that’s put on paper in this book. The conference was held on the 3rd of December in 1965 and you can actually watch the whole thing on YouTube in 6 parts (link to part 1). But it’s nice having the “written down”-version when you watch it because sometimes the video can be quite unclear.

    I can recommend it to anyone (as I said before) who’s interested in Bob Dylan. Read this and “I’m Not There” makes a hell of a lot more sense!

    If you’ve read the book and have something additional to say or if you just want to say anything else… just leave a comment!
  • Raising Sand Robert Plant & Alison Krauss

    17 Mar 2009, 19:32 by Alfred04654

    Raising Sand by Robert Plant & Alison Krauss


    Raising Sand - Wikipedia, the free encyclopedia
    http://en.wikipedia.org/wiki/Raising_Sand



    Robert Plant | Alison Krauss | Home
    Official Website:
    http://www.robertplantalisonkrauss.com/site.php

    Robert Plant | Alison Krauss on MySpace Music - Free Streaming ...
    http://www.myspace.com/officialrobertplantalisonkrauss

    Alison Krauss and Robert Plant Duet for Raising Sand
    A look at the making of Raising Sand, a duet collaboration with rock legend Robert Plant, and country/bluegrass superstar Alison Krauss.


    Robert Plant, Alison Krauss find harmony - CNN.com
    http://www.cnn.com/2009/SHOWBIZ/Music/02/16/plant.krauss/



    Robert Plant, Alison Krauss put down roots at Madison Square Garden
    http://www.nydailynews.com/entertainment/music/2008/06/11/2008-06-11_robert_plant_alison_krauss_put_down_root.html

    Robert Plant and Allison Krauss interview with Russell Porter ...
    http://tv.boingboing.net/2008/10/06/robert-plant-and-all.html

    Robert Plant & Alison Krauss- Gone Gone Gone (Done Moved On)


    CMT : News : Robert Plant and Alison Krauss
    http://www.cmt.com/news/country-music/1589180/robert-plant-and-alison-krauss-bring-haunted-performance-to-new-york-city.jhtml

    Alison Krauss and Robert Plant in Please Read the Letter


    Robert Plant, Alison Krauss Plan Second Project - Spinner.com
    http://www.spinner.com/2009/02/04/robert-plant-alison-krauss-plan-second-project/

    Robert Plant Alison Krauss And - Rich Woman


    Robert Plant, Alison Krauss kick sand at expectations
    http://leisureblogs.chicagotribune.com/turn_it_up/2008/06/robert-plant-al.html

    Robert Plant & Alison Krauss: Killing the Blues


    Robert Plant, Meet Alison Krauss : NPR Music
    http://www.npr.org/templates/story/story.php?storyId=15545432

    Polly Come Home - Robert Plant & Alison Krauss


    Robert Plant, Alison Krauss nab five Grammys >> LiveDaily
    http://www.livedaily.com/news/15641.html

    Stick With Me Baby - Robert Plant & Alison Krauss


    BBC - Folk and Country Review - Robert Plant and Alison Krauss ...
    http://www.bbc.co.uk/music/release/rwcz/

    Fortune Teller - Krauss and Plant


    Review: Robert Plant, Alison Krauss in Raising Sand Tour -
    http://blog.oregonlive.com/popmusic/2008/10/review_robert_plant_alison_kra.html

    Robert Plant, Alison Krauss Plan Second Album: New Project Ends ...
    http://folkmusic.suite101.com/article.cfm/robert_plant_alison_krauss_plan_second_album



    Robert Plant & Alison Krauss Today Show Oct. 24 2007


    Robert Plant & Alison Krauss (BBC Breakfast Time) 31/10/07


    Let Your Loss Be Your Lesson


    Let Your Loss Be Your Lesson (Robert Plant & Alison Krauss)


    Let Your Loss Be Your Lesson

    "Once I had myself a good woman
    But I just didn't treat her right
    I was always leaving
    Livin' a party life

    True love was waiting for me
    I was much too blind to see
    Till she told me she would leave me
    I said that's all right with me

    Oh now she's gone
    Realize I lost the best thing there is
    And my pride keeps telling me
    Let your loss be your lesson

    Heaven knows I miss her lovin'
    Heaven knows how much I cry
    Just to think she had left me
    And I know the reason why
    I could tell she had been cryin'
    It didn't seem to bother me
    Cause I know there's no one blinder
    Than a fool who just couldn't see

    Now she's gone
    I realize I lost the best thing there is
    And my pride keeps tellin' me
    Let your loss be your lesson""


    Yes, this is about live and learn. It would be nice if we never made a mistake but this life is to live and to learm. At times we learn from our misstakes( because if we do not learn then we could make the same mistakes over and over again)

    The mistakes we make with others...
    The mistakes we make with others are hard lessons to learn.
    It is hard because not everyone is willing to forgive.
    If you fail with friends, family, or in romance...The best thing is to learn and move on...
    We need to forgive ourselves and move on...

    Thank God-
    Everyday is a new day-It is a new start.
    Find hope in each new day and see if the next day if you can do better.



    Robert Plant and Alison Krauss
    On Last FM
    http://www.last.fm/music/+noredirect/Robert+Plant+And+Alison+Krauss



    Robert Plant & Alison Krauss on the Mercury Prize nomination

    Click here to see !!!

    OTHER--LIVE

    Robert Plant & Alison Krauss-Black Dog


    Robert Plant & Alison Krauss - In The Mood - Nashville, TN


    Alison Krauss & Robert Plant - Trampled Rose (Tom Waits)


    Bonnaroo, Sunday: Robert Plant & Alison Krauss
  • Greatest Experimental Rock Songs

    1 Apr 2009, 17:25 by RadioheadOasis

    This is just a list of early Experimental Rock Songs from the mid to late 60's. Progressive Rock, Psychedelic rock, electronic, musique concrete, jazz fusion, and World Music influences are the basis of the list. It's no order.

    King Crimson- In The Court Of The Crimson King-King Crimson-
    King Crimson- Epitaph-King Crimson
    King Crimson- 21st Century Schizoid Man
    King Crimson- Talk to the Wind
    Jimi Hendrix Experience- Voodoo Chile-
    Jimi Hendrix Experience - Are You Experienced
    Jimi Hendrix Experience- Third Stone From The Sun
    Jimi Hendrix Experience- And The Gods Made Love
    Frank Zappa- Who Are the Brain Police
    Frank Zappa- The Return of the Son of Monster Magnet
    Frank Zappa- Brown Shoes Don’t Make It
    Frank Zappa - Peaches En Regalia
    The Who- The Ox
    The Who- Quick one while he's away
    The Who- Armenia in the Sky
    The Nice - The Diamond Hard Blue Apples Of The Moon
    The Nice - America 1968
    The Nice- Rondo
    The Byrds “Eight Miles High”
    The Byrds "Mind Garden"
    The Silver Apples- Oscillations
    The Silver Apples - Ruby
    The Silver Apples - Seagreen Serenades
    The Beach Boys- Good Vibrations
    GENESIS - In the Beginning
    GENESIS - The Serpent
    The Beatles- Tomorrow Never Knows”
    The Beatles - A Day in the Life”
    The Beatles- Within You Without You
    The Beatles- Revolution 9
    The Yardbirds- Still Im Sad”
    The Yardbirds- Over Under Sideways Down
    Pink Floyd- A Saucerful of Secrets
    Pink Floyd- Interstellar Overdrive
    Pink Floyd- Astromony Domine
    Pink Floyd- Set the Controls for the Heart of the Sun
    Pink Floyd- Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict
    The Rolling Stones- Gomper
    The Rolling Stones- 2,000 Light Years From Home
    Giles, Giles & Fripp - Make it today
    The Velvet Underground- Heroin
    The Velvet Underground- Venus In Furs
    The Velvet Underground- Sister Ray
    Soft Machine- Moon In June
    Soft Machine- Joy of a Toy
    Soft Machine - Hibou, Anemone & Bear
    Steve Miller Band- The Beauty of Time Is That It's Snowing
    The Monks - Shut Up
    Renaissance - Kings and Queens
    Colosseum - Valentyne Suite part 1
    The Doors- The End
    The Doors- Strange Days
    The Doors- Crystal Ship
    PROCOL HARUM- In Held 'Twas in I
    Van Der Graaf Generator- Octopus
    Van Der Graaf Generator- Afterwards
    Red Crayola Hurricane- Fighter Plane
    Red Crayola- Free Form Freakout
    Captain Beefheart & His Magic Band- When Big Joan Sets Up
    Jethro Tull- Dharma for One
    Jethro Tull- "Bourée" (J. S. Bach arr. Jethro Tull
    Tangerine Dream- Journey Through a Burning Brain
    Tangerine Dream - Genesis
    The Quintessence - Midnight Mode
    Spirit- Mechanical World –
    Spirit- Taurus
    H.P. Lovecraft- At The Mountains of Madness
    H.P. Lovecraft- Electrallentando
    Tomorrow- My White Bicycle
    Traffic- Paper Sun
    Country Joe & The Fish- Section 43
    The Incredible String Band- Creation
    The Incredible String Band - The Iron Stone
    The United States of America- Cloud Song
    The United States of America - The Garden of Earthly Delights
    Electric Prunes- 'To Much To Dream Last Night'
    The Moody Blues- Nights in White Satan
    The Moody Blues- Om
    Donovan- Three Kingfishers
    Paul Butterfield Blue Band- East-west"
    The Pretty Things- "Defecting Grey
    Jefferson Airplane- Two Heads"
    Jefferson Airplane- Embryonic Journey
    Jefferson Airplane- A Small Package of Value Will Come to You, Shortly
    It's a Beautiful Day- White Bird"
    Jeff Beck- Beck’ s Bolero
    Led Zeppelin- Black Mountain Side
    Led Zeppelin- How Many More Times
    Cream- Toad
    Cream- White Room
    High Tide - Death Warmed Up
    Os Mutantes - Dia 36
    Les Yper Sound - Psyche Rock
    SAGITTARIUS-VIRGO
    The Fourth Way - The far side of your moon
    Arzachel - Leg
    East of Eden - Northern Hemisphere
    Xhol Caravan - All Green
    The Family - The Chase
    The Electric Tomorrow- Sugarcube
    Ceyleib People – Changes
    Status Quo- Technicolour Dreams
    White Noise - Love Without Sound
    High Tide - Death Warmed Up
  • The Beatles influence on the Byrds and Folk Rock.

    28 Feb 2009, 03:55 by RadioheadOasis

    At the same time all this was happening, McGuinn also experienced a major epiphany that would have a profound effect on his musical future: The Beatles had exploded onto the American charts. Captivated by their skiffle beat, mellifluous chord progressions, and infectious melodies, he instinctively knew that melding those distinguishing characteristics with his own tried-and-true folk sensibilities and training would yield a pretty unique sound.

    "When the Beatles had come out, the folk boom had already peaked," McGuinn notes. "The people who had been into it were getting kind of burned out. It just wasn't very gratifying, and it had become so commercial that it had lost its meaning for a lot of people. So the Beatles kind of re-energized it for me. I thought it was natural to put the Beatles' beat and the energy of the Beatles into folk music. And in fact, I heard folk chord changes in the Beatles' music when I listened to their early stuff like 'She Loves You' and 'I Want To Hold Your Hand.' I could hear the passing chords that we always use in folk music: the G-Em-Am-B kind of stuff. So I really think the Beatles invented folk-rock. They just didn't know it."

    Future bands like the Grateful Dead, the Lovin Spoonful, and the Jefferson Airplane went electric because of the Beatles influence. Bob Dylan once remarked when he first heard the Beatles that they were heading the direction music was heading.
  • Country Rock Timeline

    5 Mar 2009, 16:07 by RadioheadOasis

    These are the early Country Rock songs and it's timeline

    The Beatles - I Don't Want To Spoil The Party (Capitol/EMI) 1964
    The Byrds - Satisfied Mind (Columbia) 1965
    Downliners Sect - I Got Mine (Columbia) 1965
    The Dillards - Lemon Chimes (Capitol) 1965
    Byrds - Mr. Spaceman (Columbia) 1966
    Charles River Valley Boys - I've Just Seen A Face (Elektra) 1966
    The Greenbriar Boys - Up To My Neck In High Muddy Waters (Vanguard) 1966
    International Submarine Band - Truck Drivin' Man (Ascot) 1966
    Gosdin Brothers - Love At First Sight (World Pacific) 1966
    The Greenbriar Boys - Different Drum (Vanguard) 1966
    Gene Clark & The Gosdin Brothers - Keep On Pushin' (Columbia) 1967
    Gosdin Brothers - A Hundred Years From Now (Edict) 1967
    Byrds - Time Between (Columbia) 1967
    Hearts And Flowers - I'm A Lonesome Fugitive (Capitol) 1967
    Byrds - The Girl With No Name (Columbia) 1967
    Ian & Sylvia - Big River (MGM) 1967
    Buffalo Springfield - A Child's Claim To Fame (Atco) 1967
  • Michel & Bob Dylan Fest 2009

    17 Apr 2009, 11:04 by Stormsong



    3 days of great Michel Montecrossa and Bob Dylan songs and films at this year's 'Michel & Bob Dylan Fest'. Read more about the event here:
    Michel & Bob Dylan Fest 2009

    More info for 'Michel Montecrossa sings Bob Dylan' you find at:
    www.Michel-BobDylan.com


  • Top 10 Dylan albums

    18 Apr 2009, 09:11 by madafaka1

    18 Apr 2009

    This is something I've been thinking about while walking to work yesterday. And now I just feel the need to make a list like this.
    I should mention that this is a matter of constant change and that I could probably modify this list once or twice a month. Number one, however, is the only thing I am definite about.

    So, without further ado, I give you my favourite Bob Dylan albums:

    1. Blood on the Tracks
    2. Bringing It All Back Home
    3. The Freewheelin' Bob Dylan
    4. The Times They Are A-Changin'
    5. Blonde On Blonde
    6. Desire
    7. Highway 61 Revisited
    8. John Wesley Harding
    9. Oh Mercy
    10. Nashville Skyline

    *EDIT

    08 Jun 2009

    As I've stated above, this list is a matter of constant change. And I was about to modify the list when I realized that it would be much more interesting to keep the original list and track the changes.

    The main reason I'm doing this is because I realized I don't like The Times They Are A-Changin' as much at the moment and that I'm immensely in love with Blonde on Blonde. So here is the new list, in regards to how I feel these days. (It WILL change soon, I have no doubts about it :).

    1. Blood on the Tracks
    2. Bringing It All Back Home
    3. Blonde On Blonde
    4. The Freewheelin' Bob Dylan
    5. Desire
    6. Highway 61 Revisited
    7. The Times They Are A-Changin'
    8. John Wesley Harding
    9. Oh Mercy
    10. Nashville Skyline
  • Bob Dylan at the Sheffield Arena

    26 Apr 2009, 21:58 by lis-sukie

    Fri 24 Apr – Bob Dylan

    This Bob Dylan gig was the second concert I've seen at the Sheffield Arena. The first was Queen + Paul Rodgers last October. The two shows probably couldn't have been more different. For starters, I felt like I was miles away from Queen+PR when I saw them. Despite the big screens and fancy light show, there was no denying that Brian May was a tiny ant running around with a speck of a guitar. I was within yards of Dylan on Friday night.

    Dylan doesn't go in for flashy lights every song. We had low, medium and bright depending on the mood of the songs and off between them. A few times we had simple patterns rendered in white light projected onto the black walls, such as the stars Bob swore to forsake one of the handful of times that he ventured to the front of the stage to play a raw and heartrending Boots of Spanish Leather. As he barks "How can, how can you ask me again?", I can feel the sound waves trembling through the floor and travel past my feet all the way to my head where they'll ring forevermore.

    I'm not going to say Queen+PR were predictable when I saw them, but I did know more or less most of what they would do and that it would sound a lot like the album or previous live versions. Now Dylan, of course, is famous for reworking his songs and surprising people with his set list. I don't think there were that many people, if anyone at all, who expected Bob to walk on stage and jump straight in with Cat's in the Well and to follow it with It's All Over Now Baby Blue. Now, that song was so different from the familiar version that it took me most of the first vese of the song to clock which one it was, even though it's one of my favourites.

    Before I went to the show, I was warned that the shows he'd done recently weren't very good, that he mumbles so much you can't identify the song, that he doesn't talk. He didn't mumble too much, in my opinion. It was only during Things Have Changedthat it took me forever to spot the song, but that's probably because I'm not very familiar with it. He did lose a few words towards the end of It's Alright, Ma (I'm Only Bleeding), so we did get a couple of lines that came out "nuh ru-ru-ruh mu hu na guillotine!", but the fact that he played that one at all earns him the brownie points to get away with it.

    The fact that he played some of my older favourites of course made me very happy. He can only ever play some favourites because he's written so many great songs over the years and not even he can cram them into just two hours. Then there were newer favourites like Love Sick, Make You Feel My Love and Spirit on the Water and the surprises in Cats in the Well and Highway 61 Revisited. I wouldn't trade this as a first time set-list with anyone. Unless we start getting into the possibilities of time travel, in which case that's a different story...

    How could people complain about the sound? And how could people walk out before the end? I thought we'd left that sort of silliness to the mid-sixties when bereft folkies were weeping with frustration over Bob's nerve to start playing an electric guitar in public. The difference this time is that people mourn the fact that he doesn't play guitar at his show. It seems times really have changed.

    I would never think of complaining that Bob only played guitar the one time in two hours, or his lack of mobility or the absence of big screens because he was on my side of the stage and I got to watch him dance about as he expertly went at the keyboard and sang in a mostly-understandable way. He seemed to be enjoying himself a lot and I think it showed in the quality of the music and the fantastic show that he gave us on Friday. And I honestly don't think I'm just saying that because it was my first time.