De lundi 21 Mai 2012 à 19:30
124 Oxford Road, Manchester, M13 9RD, United Kingdom
Tel : 0161 907 5555
Web : http://www.rncm.ac.uk/
We’re delighted to be promoting this triple-header of ‘post-classical’ artists from the FatCat imprint 130701.
Tickets are available from the RNCM box office, Common (both no booking fee), Piccadilly Records, Vinyl Exchange, RNCM.ac.uk, Seetickets.com, WeGotTickets.com, Ticketline.co.uk and on 0871 220 0260.
Formed on 13 July 2001 (hence the superficially cryptic name), FatCat’s 130701 imprint was initially intended as a home for Montreal’s Set Fire To Flames and their non-traditionalist, drone and field recording-laced take on classical instrumentation and ‘post-classical’ compositions.
Since those first releases, via critically acclaimed albums from Parisian minimalist composer Sylvain Chauveau and the much-celebrated Max Richter, 130701 has come to represent a fine stable of some of the most recognisable names in the field.
The imprint has, more recently, delivered records from the three artists undertaking the Transcendentalists tour: Hauschka’s jaw-dropping classical/techno crossover Salon des Amateurs, a wholly unique and original take on dance music, written for prepared piano, orchestral instruments and drumkit; the elegant and hushed beauty of Dustin O’Halloran’s studio LP for piano, electronics and strings entitled Lumiere, and Vorleben, a follow-up live album for solo piano; and Jóhann Jóhannsson’s The Miners’ Hymns, released in May 2011 – the powerful soundtrack to Bill Morrison’s found-footage documentary on the mining communities of north east England and their tragic end, recorded live in the Durham Cathedral (a focal point of the film) by a 16-piece brass ensemble.
The Transcendentalists tour will mark the first time Dustin O’Halloran, Jóhann Jóhannsson and Hauschka have hit the road together. A group of artists connected not only by complementary approaches to composition and performance (or, incidentally, by sharing a label), but also by the philosophical ideals found in Transcendentalism: a sense of self-reliance in their respective dual roles as composer and performer, and a rejection of the rigidity of convention and institution, leaving purity, individualism, intuition, invention and community.
All three artists will play a set of equal length for this triple headline show, which is a co-promotion with the RNCM.