Thursday 23 August 2012 at 7:30pm
227 Maple Ave E, Vienna, 22180, United States
Tel: (703) 255-1566
BUY TICKETS - $10 adv / $13 day of
Advance tickets are also available via phone at 703.255.1566
The Favororite Gentlemen Tour: Presented by ABSOLUTEPUNK.net
Favorite Gentlemen is an artist community and record label founded by members of Manchester Orchestra and based out of Atlanta, GA.
The road is family-the disciplining father, the nurturing mother; exist as shadows at each stop to any band betrothed to relentless touring without a safety net. With miles behind and miles ahead, life in a van will change a band; and All Get Out are no exception. From the wasted days stranded, to the desolate moments of doubt, to the nights where immortality stretches through bended notes, two-hundred and fifty shows a year has shaped the band known for their attitude and angst on display through high woven volume into a refined framework fusing gambled moments and glossy catchiness. Just as All Get Out accidentally ended up spending the formidable part of their ‘20s counting mile markers, so did The Season unintentionally transform itself into a pop record when the band began tracking with producer Matt Malpass (Lydia, Copeland). Still visceral and soul-bearing as before, The Season stretches All Get Out into the frequencies beyond reactionary abrasions. Songs like My Friends, Son of Mine, Don't Let Me Go and Girl Gun display an innocence, but the rest of the album shows a band aware that the horizon holds more than can be comprehended.
The American rock n' roll of the ‘50s and ‘60s ran on raw, unfiltered emotion, and was driven by ardent soul. The muscle cars, steel mechanics, and never ending highways were the image, but the spirit was inherit in the far reaching melodies and layered vocals - the ideal at the heart of American Thunder, Harrison Hudson's third full-length album. Behind the languishing spacious guitars and the overall smooth vibe there is Hudson himself, sharing the best moments of the American rock radio that lavished his childhood. Formed in 2005 in Atlanta, GA Harrison Hudson began as a songwriter backed by a band. In 2006 his debut Angel On One Side...And the Other On The Other displayed a dark shade, a monument of Hudson's life at the time, but by 2008 Harrison Hudson had become a full band, a trio that found a new home in Nashville, TN releasing the no-frills, full volume, Blood, Sweat, and Sweat. As soon as recording was finished Hudson began writing again, 70 songs that would be sliced down to an integral 12 of pop hooks and rock twist free of overbearing romantic gestures, the shape of American Thunder. The spirit of the old days of Rock N' Roll radio have been captured and embraced, not re-manufactured.
Death On Two Wheels makes rock 'n' roll dangerous again, with slurry-blurry lyrics, half-cocked dreamspeak of portents and regret, and a formidable guitar attack that recalls the nasty duels Allen Collins waged with Gary Rossington before Skynyrd's final plane ride. Following the same bumpy trail as Kings of Leon, this Atlanta foursome seems to be in pursuit of darker mysteries on the band's self-released debut. And unlike the Kings, they have more range and a greater reverence for '70s classic rock, not to mention the eccentric bite of vocalist Trae Vedder. Could he really have been christened with such a propitious rock name? No matter, he has the same grit and red clay in his voice that Chris Robinson had before he got famous and complacent-but there's something even more disturbing in Vedder's delivery that almost veers into goth. Especially on a song like "Bobby Havis," which shudders with psychedelic anxiety. It's a song so haunting it could've been penned in Rose Hill Cemetery next to Duane Allman's headstone.
Junior Astronomers. A consistency in disorder breathes into existence a quintet bound to the loud and impulsive. Gritty and jangled on some occasions, then mangled and diverting in others. The only thing planned is the outburst itself. A hypnotic trance is created through guitars painted heavy and a rhythm section bound for movement, but beneath the distortions and muddled screams Junior Astronomers seek to achieve more than just reactions from onlookers; the band itself tries to document the human experience. On stage the mess of humanity is embraced through a livid live show-devoid of controlled manipulation each night's set stumbles onto new devices. Passion bleeds over lofty construction making sure the songs themselves are the frame. The rest is unhinged and never over thought. Continually on the move since forming in 2007, with only two EPs to their name, Junior Astronomers have toured and shared stages with the likes of Harvard, The Weeks, Dignan, Color Revolt, Des Ark, and Polvo. Poised to not take a break in the near future the North Carolina natives bring with them a promise, there is an elemental energy that lies in-between art and craft.