Friday 17 August 2012 at 10:00pm
103 Dike Street, Providence, RI, 02909, United States
$30 ADV, $40 DOS
In a music industry that often specializes in manufactured stars-- neatly wrapped packages that look the right way and do and say all the right things--it is a rare event to witness the emergence of a true artist. DMX, rap's ruffest ryder, is of this rare breed of artists. He has held the hip hop world spellbound with his raw, unbridled energy, unyielding passion and lyrics of fury since his explosive arrival in 1998-the year that was unquestionably the year of the dog. After stand-out performances on tracks like LL Cool J's "184.108.40.206", the Lox's "Money, Power, Respect", and Mase's "24 Hours to Live", DMX got the world's attention with his own, bonafied street anthem "Get At Me Dog." In May, he released his groundbreaking first effort It's Dark and Hell is Hot- which also featured the intoxicating, gritty joints "Stop Being Greedy" and "Ruff Ryder's Anthem"-debuted at number one and quickly went multi-platinum. That summer, after a headlining stint on the Survival of the Illest tour, DMX retreated to the studio yet again, and in December he released the classic horror-film-on-wax, Flesh of My Flesh, Blood of My Blood. Flesh, which included the poignant, autobiographical song "Slippin'", and and released only six months after its predecessor, also held the top spot on the charts-making DMX the first artist ever to have two number one debuts in the same year. After spending the first part of 1999 on tour with fellow Def Jam artists Jay-Z, Method Man and Redman on the most successful hip hop tour ever, the Hard Knock Life tour, DMX split for the heat of Miami. There he set to work on his latest offering, And Then Was X. In true DMX style, And Then There Was X serves up yet another feast of driving beats, ferocious rhyme flows and tales from the dark side. "I feel good." DMX says about his new album, "I'm comin' with a lot of joints. It's the same type of X shit. I mean, I always touch on different subjects, tell different stories, but as far as the feel of the album, it's the same shit. Why switch up? If it ain't broke, don't fix it. "What lends to the familiarity to the album is the electric, hit-making chemistry of DMX and his longtime collaborator and producer, Swizz Beats, who served as executive producer on the project and worked on the blazin' tracks, TK. D explains his bond with Swizz by saying, "It's love, it's real. You know, we're like family. I knew this nigga before he was thinkin' about beats-when he was stealin' radios."