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Puede que las influencias le delaten y que tanto el clasicismo de su propuesta como el tono de voz con el que ataca sus composiciones obliguen a pensar en una reencarnación nórdica de Bob Dylan, aún así, si algo ha conseguido el sueco Kristian Matsson es esquivar el siempre odioso juego de las comparaciones para irrumpir con autoridad en el folk contemporáneo. Voz, guitarra y banjo son las únicas herramientas que…

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  • His vocals are off-putting at first, but there is a rawness to them that is absolutely gorgeous after a few listens.
  • FOR SALE!! two tickets for the TivoliVredenburg (Utrecht) show next monday-night 26 October 2015. Unable to go myself, unfortunately :( Send me a PM for details if you're interested. Cheers!
  • Shallow Grave is my favorite.
  • titvn: Wild Hunt
  • whats his best release
  • Okay, I just listened to the album again. I really really like "Little Nowhere Towns" with the piano (also was great live). The title track is also pretty great just because of the emotion that you can hear in his voice along with the build-up/jam-out at the end (another stand-out when I saw him last week). Not trying to be a hipster, but "Sagres" might be my least favorite; after hearing it once or twice, I already feel like I've heard it a thousand times. The melody is just too generic and repetitive. I guess that gives it the mass appeal, idk. Meh. After listening to this album and There's No Leaving Now back-to-back, it's clear which album is superior.
  • Well, that's a bit harsh, but I kind of agree (fekko). His latest album seems pretty generic in the overall sound. Darker subject matter, but the music itself just seems a bit uninspired. A couple good songs in there though.
  • compared to his early releases this is a very, very sad joke. just listen how they crippled his voice. and the arrangements are so completely meaningless. very disappointing developement...
  • SÄLJES: 2 biljetter, Göteborgs Konserthus 4/10. Hör av dig till eller tel. 0707986974!

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