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Carátula grande

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  • Okay, I'll be the odd one out and say this is my least favorite album of hers by far. Some of the songs are a bit dull (ラヂヲ予報 especially) and the vocals are polarizing and inconsistent. She sounds too shrill at times. ロマの娘 is almost unlistenable for me. I did enjoy some of the last half of the album, in particular 何処へ and Contrasto. The short length doesn't help either. Overall, a bit disappointed. Oddly enough, her next studio album, Navigatoria, is among my favorites.
  • very solid compositions, great vocal harmonies on this wonderful debut album
  • After listening to this, giving Turaida a spin is depressing.
  • Holy shit, her early stuff was similar to Dead Can Dance. Why did she have to switch to cheap synths, hundreds of vocal layers and pompous cinematic arrangements, that is the question.
  • Truly a masterpiece.
  • Anyway, one thing's for sure bout this album: LEGENDARY DEBUT !
  • She must have been Italian in another life. Probably a baroque composer or maybe a gypsy.

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